As suggested by the title, the episode has a theme of the
“mystery date” where “you open the door and it’s a handsome man – who
is it?” Besides the Mystery Date game
show that Sally watched on TV until forced to turn it off, we see or hear of:
·
Joan opening the door to see Greg, back from
Vietnam with a surprise about his future
·
Peggy opening the door to Don’s office at night
and being surprised and frightened to see Dawn sleeping on the couch
·
Eight student nurses who (we hear) opened their
door and let a man into their apartment and were all raped and murdered except
one nurse, who hid under a bed
·
Andrea, an old fling of Don’s, appearing as the
elevator door opens, stepping into the elevator toward Don and flirting
aggressively in front of Megan before realizing Megan is Don’s new wife
·
Don, home with a fever, answering the door only
to be surprised by seeing Andrea once again, this time even more aggressive in
pursuit of immediate sex (I believe this scene is not a dream, since it
continues Andrea's behavior from an earlier scene, shows Don in his current state of personal development, and doesn’t seem
unrealistic)
·
Cinderella, according to Mike Ginsberg’s story,
not opening a door but rather running down a dark street to get away from the
handsome prince, then turning around as he catches up to her, she in her
incredible gown, hobbling on one incredible shoe, frightened but yet wanting to
be caught
A second major theme of
this episode is people laying down the
law and trying to take charge in a relationship. A whole lot of
people tell others what to do and try to force them to obey; sometimes it’s
aggrieved parties laying down a new law, and other times it’s people in charge
reasserting power.
Examples of this theme:
·
Pauline orders Sally to finish her tuna salad
sandwich.
·
Greg lays down the law about returning to Vietnam
for another year. He claims he has his “marching orders.”
·
Greg’s attempt to force Joan to accept his
decision fails when Joan learns that Greg has volunteered for another year away
from her: “You can’t make decisions without me and you never understood that”
she scolds. She realizes that he never was a very good person and that she doesn’t
need him, and thus she takes back her power and lays down a counter-law, “Go
away.”
·
Earlier in the episode, Joan’s mother tries to
lay down the law and control Joan, commanding her to go and rest and telling
her that she should go along with Greg’s decision. Joan goes along. However, when
Joan later tells Greg off, Joan’s mother has not been consulted and Joan thereby
shows her mother that she, not her mother, will set the rules.
·
Roger forces Peggy to give up her weekend to work
on a project that Roger has forgotten to assign to Mike Ginsberg, and he even
suggests that he could fire Peggy if she didn’t comply. However, Peggy isn’t
fooled by his threat, and she doesn’t allow herself to be completely
overpowered by Roger’s “law.” In return for doing what Roger tells her to do, Peggy
lays down a counter-law that Roger has to pay her everything he has in his
pocket, and he does.
·
Peggy tries to help Dawn when she discovers Dawn
sleeping at the office late at night. However, she does so by ordering Dawn to
“Get your things.” Dawn complies. Later that night, at Peggy’s home, Peggy
positions herself differently, asking Dawn for her insights and advice and
encouraging her to become a copy writer even though Dawn expresses no interest
in doing so. Then Peggy shifts back to being in charge of Dawn and also momentarily
suspects Dawn of possibly stealing her money. Before Peggy gets up in the
morning, Dawn takes her power back by making the decision, without consulting
Peggy, to leave.
·
Pauline, Henry’s mother, lays down the law with
Sally by bossing her around, and Sally complies. However, Sally asserts herself
to some extent by telling Pauline her honest opinion of her, and by continually
asking Pauline questions until Pauline finally repositions herself to Sally as
more of a supportive advisor. Pauline relates a story to Sally about her own
father, explaining that one time her father had kicked her across the room and
told her, “That’s for nothing.” Pauline tells Sally that she learned an
important lesson from that experience, although she never says what exactly she
learned.
·
When Sally talks to Don on the phone, Don is
surprised to hear Sally say that Betty “doesn’t have any rules” regarding what
television programs she gets to watch during the summer.
·
After Don and Megan encounter Don’s old fling
Andrea in the elevator, Megan confronts Don in the office kitchen and tries to
lay down the law that there will be no more philandering without consequences. She
tells Don he has to admit it wasn’t all Betty’s fault that he was a philanderer,
and she makes a strong effort to control the conversation. Eventually Don
repositions himself to Megan as the man in charge, taking control of the
conversation and commanding her to not worry about Andrea.
·
When Andrea shows up at Don’s home (before Megan
gets there), she tries to lay down the law with Don by insisting on coming in
and pushing him to have sex. Don turns the tables by taking control of Andrea and
forcing her to leave down the back stairwell or elevator. Don even shoves her
in the stomach to force her out the door.
A third theme of 5-3
is the processing of difficult events
– sometimes via new personal decisions, sometimes through stories, sometimes
through acting out, and sometimes in dreams. For example:
·
Michael Ginsberg processes the fact that his
mother died in a concentration camp through telling and interpreting stories. He
interprets Cinderella as a dark story in which the prince chases her through
the cobblestone streets and then catches up to her, where Cinderella is
frightened but wants to get caught, suggesting that it might be the beginning
of a murder rather than a love affair. He also interprets Snow White and
Sleeping Beauty as references to necrophilia.
·
The news about the eight student nurses being
murdered in Chicago has a profound effect on women throughout society, and
different females process the information in different ways. Sally processes this
news by asking Pauline why a man would do something like that, by taking the
drug that Pauline offered her, and by hiding under the couch the way the
surviving student nurse did. Pauline processes the news by keeping a large
butcher knife with her while watching TV (as if she could wield it against an
attacker), telling Sally about a childhood experience where her father treated
her violently, and taking Seconal as well as giving a dose to Sally. These actions also enable Pauline to continue to process the violence she experienced during her childhood.
·
While sleeping off his fever at home, Don processes
several experiences through a vivid dream. In the dream, Andrea got back into
his home and seduced him, and he helplessly went along with her and had sex. Then
he got mad about it, strangled her, and shoved her body under his bed with one high
heel on and one high heel off. This is Don’s way of processing the unwanted
advances of Andrea earlier that day; his own fear of being helplessly addicted
to sex and wanting to take control and kill off the addiction; Mike Ginsberg’s retelling
of the Cinderella story; and the news about the student nurses being raped and
murdered except one, who stayed under a bed.
·
Peggy processes her own past and the identity she has built when
she talks to Dawn during their slumber party, asking Dawn a number of random
questions having more to do with herself than with Dawn, such as: “Do you think
I act like a man?” “Do you want to be a copy writer?”
·
Joan’s mother processes her own marital experience when
she gives advice to Joan. As Joan points out, “It’s all about Daddy,” meaning
that her mother’s experience doesn’t apply to her situation.
·
Joan quickly processes the news that Greg
volunteered to return to Vietnam by making a self-affirming decision that would
significantly impact her son's childhood.
A fourth theme is the acceptability of violence against women in 1960s American
society. This theme is underscored by the final song, sung by a woman, who
says “he hit me” and then goes on to say that it’s all right. Yet in this show,
we see women protesting their bad treatment and/or trying to learn to defend themselves.
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